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User manual SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD

Operating instructions and pdf manual for use - SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD User manual, User manual SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD, SPL, Channel, One, Channel, Strip, With, 24/96


User manual for SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD

SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD
  • Manufacturer: SPL
  • Basic description and contents of package
  • Product classification: Pro Audio - Recording - Channel Strips
  • Safety instructions
  • Startup and operation of the channel strips
  • Tips for setting up your SPL
  • Settings and expert assistance
  • Contact SPL service
  • Troubleshooting
  • Warranty information
We recommend checking out our discussion threads on the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD, which address similar problems with connecting and setting up Channel Strips SPL.



User manual for the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD

The user manual for the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD provides necessary instructions for the proper use of the product Pro Audio - Recording - Channel Strips.

The Model 2950 Channel One With 24/96 Analog to Digital Converter Module 2376 from SPL is a single channel strip which includes a number of powerful onboard tools for corrective and creative sound design when recording voices, instruments, and other or analog or digital sources (with optional A/D module). The unit e is built in the tradition of earlier SPL channel strips: the Frontliner, the original Channel One, and the Track One with an updated faceplate design. The device accepts three separate inputs: a balanced XLR-3F microphone input with selectable +48V phantom power, 180&Deg; phase reverse, and 50 Hz subsonic filtering; a 1/4" TRS low impedance line input with a precise balancing stage for connecting to studio grade equipment; and a low-noise high-impedance instrument input that can be easily accessed from the front panel.

The preamplifier stage of the processor features a transistor/12AX7-LPS tube design with a range from +8 dB to +68 dB of mic gain. The line signal gain range reaches from -12 dB to +22 dB, and instrument signals can be amplified between +48 dB and +39 dB.

The first processing module in the signal chain is a De-Esser which allows you to use a single knob for subtle and effective reduction of sibilants in the outgoing signal. The processor uses phase cancellation with the original signal which employ filters that only reduce s-frequencies without interfering with the remainder of the audio spectrum. An integrated auto threshold function allows the processing to occur independently of the input level, even at varying distances from the microphone.

A switchable insert send and return loop button allows for the use of external equipment for effects such as delay or reverb. The presence of the insert loop expands the flexibility of the device to an even wider range of recording applications.

The next processor in the signal chain is a compressor/limiter/noise gate module with a dedicated limit switch, a soft knee compression control knob with a maximum ratio of 1:2.5, a make up gain knob from 0 to +22 dB, and a noise gate that can operate over the signal's complete dynamic range.

The compressor module is followed by a three band EQ and FET distortion module that can be switched to operate before or after the compressor. A low mid frequency control covers a range form 30 to 700 H, a LMF-/+ knob determines the amount of boost or cut at the selected frequency between ±14 dB. Similarly, a mid/high frequency filter can be set between 680 and 15,000 Hz with a controllable gain or boost at this Q frequency within ±12 dB. An AIR Band module uses a coil-capacitor-filter with a center frequency of 17,500 Hz and a maximum possible accentuation of +10 dB or a maximum dampening of -10 dB. The FET distortion allows you to add distortion from 0% up to distinctly perceptible harmonics.

The next module provides an output gain control from -20 dB to +5.5 dB. A mute switch allows you to mute the output signal.

The final two controls include a playback control that regulates the volume of the playback signal that is passed to a musician who is monitoring with the included front panel 1/4" TRS stereo phono jack as well as a volume control for setting the volume of the microphone, instrument, or line signal.

For visual feedback the unit includes LED metering for s-detect, clip, signal presence, tube warm up, gain reduction, and PPM output. The unit can be modified with the installation of Lundahl I/O transformers.
If you own a SPL channel strips and have a user manual in electronic form, you can upload it to this website using the link on the right side of the screen.

You can upload and download the manual for the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD in the following formats:
  • *.pdf, *.doc, *.txt, *.jpg - Other formats are unfortunately not supported.
Additional parameters of the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD:
Specifications
    Channels One
    I/O 1x XLR-3F Microphone input
    1x 1/4" TRS Line input
    1x 1/4" TRS instrument input
    1x 1/4" insert return
    2x 1/4" playback inputs (left and right)

    1x 1/4" insert send
    1x 1/4" TRS output
    1x XLR-3M output

    1x RCA SPDIF Input
    1x RCA SPDIF Output
    1x OPtical Output
    Phantom Power +48 V
    Frequency Response Microphone Input: 10 to 100,000 Hz (100,000 Hz = -3 dB)
    Line/Instrument Input: 10 to 180,000 Hz (100,000 Hz = -3 dB)
    Common Mode Rejection Microphone (at -20 dBu) 1 kHz: -80 dB/ 10 kHz: -78 dB
    Line/Instrument (at 0 dBu) 1 kHz: -80 dB/ 10 kHz: -78 dB/line input only
    Total Harmonic Distortion Microphone (A-weighted)
    20 dB: -97.1 dBu
    40 dB: -91.1 dBu
    65 dB: -69.4 dBu

    Line/Instrument (A-weighted)
    5 dB:-99.4 dBu
    20 dB: -97.2 dBu
    42 dB: -79 dBu
    Dynamic Range Microphone: 118 dB
    Line/Instrument: 119 dB
    Input Impedance 20 kilohm
    Instrument: 1 Mohm
    Maximum Input Level +22 dBu
    Instrument +14 dBu
    Output Data Max. Output Level XLR/Jack: +20 dBu
    Output Impedance: 50 Ohm
    Headphone Amplifier Gain, Mic Input and 0 dBu Output Level
    -20 dBu bei 25%
    -10 dBu bei 40%
    -5 dBu bei 55%
    0 dBu bei 70%
    +5 dBu bei 75%
    +10 dBu bei 90%
    +14 dBu bei 100%
    Metering LED ladder, switches with function chosen
    A/D Converter Internal sample rates: 44.1, 48, 88.2, 96 kHz
    External sample rates: 32 kHz, 176,4 kHz and 192 kHz
    Dynamic range: 112 dB (A-weighted)
    THD+N (@-1 dBFS/1 kHz): 0.0007%
    Frequency response (48 kHz): 10 Hz-22kHz, ±0.2 dB
    Jitter (average; 700 Hz-100 kHz): ‹ 300 ps
    Stop band attenuation: -105 dB @48 kHz; -102 dB @96 kHz
    0 dBFS: = +15 dBu
    Power consumption +15 V: max. 115 mA
    Power consumption -15 V: max. 17 mA
    Dimensions (W x H x D): 3.94 x 1.06 x 3" (100 x 27 x 76 mm)
    Weight: 2.39 oz. (68 g)
    Power Supply Toroidal Transformer: 20 VA
    Fuses: 315 mA (230 V/50 Hz)
    630 mA (115 V / 60 Hz)
    Dimensions (WxDxH) Standard EIA 19"
    19.0 x 3.5 x 8.3" (IHE 482 x 88 x 210 mm)
    Weight 9.15 lb (4.15 kg)
    The user manual for the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD can be downloaded in .pdf format if it did not come with your new channel strips, although the seller is required to supply one. It is also quite common that customers throw out the user manual with the box, or put the CD away somewhere and then can’t find it. That’s why we and other SPL users keep a unique electronic library for SPL channel stripss, where you can use our link to download the user manual for the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD.

    The user manual lists all of the functions of the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD, all the basic and advanced features and tells you how to use the channel strips. The manual also provides troubleshooting for common problems. Even greater detail is provided by the service manual, which is not typically shipped with the product, but which can often be downloaded from SPL service.

    If you want to help expand our database, you can upload a link to this website to download a user manual or service manual, ideally in .pdf format. These pages are created by you – users of the SPL Channel One Channel Strip With 24/96 Analog to SPLCHANONEAD. User manuals are also available on the SPL website under Pro Audio - Recording - Channel Strips.



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