User manual Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU
Operating instructions and pdf manual for use - Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU User manual, User manual Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU, Yamaha, MG16XU, 16-Input, Mixer, with, Built-In, FX, MG1
User manual for Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU
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Manufacturer: Yamaha
Basic description and contents of package
Product classification: Pro Audio - Recording - Analog Recording Mixers
Safety instructions
Startup and operation of the analog recording mixers
Tips for setting up your Yamaha
Settings and expert assistance
Contact Yamaha service
Troubleshooting
Warranty information
Price: 480 USD
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User manual for the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU
The user manual for the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU provides
necessary instructions for the proper use of the product Pro Audio - Recording - Analog Recording Mixers.
The MG16XU from Yamaha is a compact mixer capable of sixteen simultaneous inputs that is ideal for performances, recordings lectures and more. The mixer features eight mono mic/line combo input channels, two stereo line input channels that can also be used as mono mic or line inputs (XLR and stereo 1/4" inputs), and two stereo line inputs with 1/4" and RCA jacks. It also features USB connectivity and is capable of providing two channels in and two channels out to your computer at up to 24-bit / 192kHz, ideal for recording live performances, demos and more.
Channels 1-12 are each equipped with D-PRE mic preamps, 3-band EQ, pan control and a high-pass filter. The D-PRE mic preamps feature an inverted Darlington circuit and switchable 48V phantom power for use with dynamic and condenser microphones. Channels 1-8 each also feature 26dB attenuation switches for use with loud sound sources such as guitar amplifiers and drums.
The MG16XU mixer has XLR and TRS stereo outs for connecting to your PA system or monitor speakers. It also has a 1/4" headphone output with level control for personal monitoring, as well as additional TRS 1/4" stereo monitor outs for sending to powered speakers, amplifiers or devices such as digital recorders.
Each of the MG16XU's channels feature a dedicated FX bus send level and there are 24 effects presets to choose from. The overall level of the FX bus is controlled by the dedicated FX return level control. Providing reverbs, delays, phaser, flanger, chorus, tremolo, auto-wah, distortion and more, these effects can be used to help vocals and instruments sit better in your mix.
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Additional parameters of the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU:
The user manual for the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU can be downloaded in .pdf
format if it did not come with your new analog recording mixers, although the seller is
required to supply one. It is also quite common that customers throw out
the user manual with the box, or put the CD away somewhere and then can’t find it.
That’s why we and other Yamaha users keep a unique electronic library
for Yamaha analog recording mixerss,
where you can use our link to download the user manual for the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU.
The user manual lists all of the functions of the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU,
all the basic and advanced features and tells you how to use the analog recording mixers.
The manual also provides troubleshooting for common problems. Even greater
detail is provided by the service manual, which is not typically shipped with the product,
but which can often be downloaded from Yamaha service.
If you want to help expand our database, you can upload a link to this website
to download a user manual or service manual, ideally in .pdf format. These pages
are created by you – users of the Yamaha MG16XU - 16-Input Mixer with Built-In FX and MG16XU. User manuals are also
available on the Yamaha website under Pro Audio - Recording - Analog Recording Mixers.
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